New classics

R48057 Strada Natur

The opposite of very natural woods are layouts with a graphic look, like this extremely stripy wood decor, Strada. The well-balanced powdery colour nuances communicate the warmth of the wood; the linearity looks cool and sophisticated. Natural Strada is therefore perfect for calm and purist designs, as is the darker version R48058 Anthracite Strada. The sophisticated effect is emphasised by the brushed metal texture Steel Matt.

R48058 Anthracite Strada

The opposite of natural woods are woods with a graphic looking design, like this extremely stripy wood decor, Strada. Coupled with the linearity of the layout, the cool nuances of grey look calm and sophisticated. Anthracite Strada is therefore perfect for calm and purist designs, as is the light version R48057 Natural Strada . The sophisticated effect is emphasised by the brushed metal texture Steel Matt.

S63076 Bianco

Due to the subtle colour gradients in shades of grey, this generous, alabaster-like marble seems almost translucent, which gives it a light, fresh look. Powder-coloured amorphous waves run expansively meandering through the stone, here and there divided by more linear brown veins. The feminine look of the sophisticated stone goes wonderfully with the orange nuances of pale and also dark wood decors. Good combination choices are neutral shades of grey, powder – and warm white and brown.

S63075 Romeo

The digitally printed marble Romeo looks extremely generous and very striking. Long lines of anthracite-coloured veins diagonally cross the background in light nuances of grey.  Individual areas of the veins are surrounded by haloes in a different colour. The colours, from ochre and powder shades to a warm, dark brown, softly blend into each other; the dark veins are also not too sharply delineated but disappear into the background at the edges. Despite the eye-catching layout, the stone nevertheless looks well-balanced and goes with many, ideally calm, wood decors.

S63077 Shiyan

The contrast between the neutral grey background and the warm, caramel-coloured as well as fresh white veins makes this lively marble something special. The many, finely chiselled veins evenly run through the entire stone; despite the dynamic design, the overall look is therefore well-balanced and calm. The warm shades of brown can be combined with almost all wood colours; the stone also reflects metal tap colours from stainless steel to bronze.

S63074 Titan

Gold- or brass-coloured taps have become a firm element in the modern kitchen spectrum. The gold-coloured vein roots and particles of the plain, cloudy artificial stone Titan with an otherwise monochrome black and anthracite colour are a perfect match for these and look almost metallic.

F76186 Dark Green Alux

Metal perfectly complements the increasingly plainer wood designs. The mother-of-pearl lustrousness upgrades the graceful latter and defines the colours of the style. The matt brushed texture Steel Matt perfectly underlines the subtle polished look. Thanks to both of these, the Alux range has won the RedDot as well as the PlusXaward. Dark Green Alux  has a slightly cool, dark shade of green that goes excellently with dark, exquisite woods. Another option is the combination with  warmer, light putty and grey shades.

F76183 Dark Blue Alux

Metal perfectly complements the increasingly plainer wood designs. The mother-of-pearl lustrousness upgrades the graceful latter and defines the colours of the style. The matt brushed texture Steel Matt perfectly underlines the subtle polished look. Thanks to both of these, the Alux range has won the RedDot as well as the PlusXaward. Dark Blue Alux is based on a warm, deep shade of blue that gives a calm and sophisticated look to furniture. Especially warm, graceful medium-light woods go perfectly with this decor.

F79040 Rigatoni

Rigatoni is a combination of the trends for routed grooves and metal. A decor called "Mille Righe" was a successful furniture and interior design element pattern back in the 1990s. Rigatoni has been reinterpreted with sharper contours and a more three-dimensional effect. The mother-of-pearl content emphasises the metallic effect which, in contrast to the cool aluminium shades of the past, remains cosy thanks to the warmer basic shade. In colour terms, Rigatoni goes with the plain decors U12248 Signal Grey and U12018 Basalt, and can be combined with all linear, plain woods.

F76185 Bronze Mesh

Metals with a warm tone are the perfect choice for pale woods. Mesh is a fine metal fabric whose shine, created by an understated mother-of-pearl print, adds sophisticated to the decor. The industrial character of the metal is offset by the warm bronze tone, which makes the decor cosy and versatile. Suitable combination choices are woods with a yellowish shade and materials in warm shades of grey. Silver Mesh F76184 offers a second colour version.

F76184 Silver Mesh

Metals with a warm tone are the perfect choice for pale woods. Mesh is a fine metal fabric whose shine, created by an understated mother-of-pearl print, adds sophisticated to the decor. The industrial character of the metal is offset by the warm bronze tone, which makes the decor cosy and versatile. It can be combined with all kinds of woods and materials without any exceptions. Mesh Bronze F76185 offers a second colour version.

U15009 Desert & U15010 Dijon

The muted, reddish yellow tones Desert and Dijon embody a new generation of friendly, cosy sand shades. The colour tone Desert matches NCS Code 1030-Y10R; the clearly darker and a little less chromatic DijonNCS 3020-Y10R.

U15008 Caramel

Due to an equal content of black and colour, this muted shade of orange looks well-balanced and rich. Adds a subtle splash of colour to dark woods and materials in shades of grey. The colour tone Caramel matches NCS Code 3030-Y20R.

U15011 Torrone

With only twenty percent, the reddish, dark yellow shade Torrone has a low chromatic content and therefore looks calm and balancing. The colour tone matches NCS Code 6020-Y10R.

Modern graceful wood texture

This subtly silky wood texture is characterised by a varied layout consisting of whole and partial cathedrals, as well as striped areas with close together grain lines. The latter are irregularly broken and therefore look very natural. Florence is silky matt on the surface and deep matt in the hollows; it therefore looks elegant and is particularly suitable for sophisticated woods such as walnut and fruit woods. This texture works equally well on woods with hardly visible pores such as beech or maple. The soft transitions within the relatively smooth texture counteract the greying that often occurs on dark decors with matt textures.

The new HPL texture Florence will be available in  Arnsberg.

Modern matt oak texture

The universal texture Rochester can easily be used on all hardwoods. It looks extremely authentic and inherent. It makes plain decors look like freshly varnished wood. The striped design of the grain is brought to life by the grouping of the elongated, sharp-edged pores. Their edges are of varying steepness, and the depressions are sometimes more, sometimes less matt, which creates an exciting interplay between the different degrees of matt – all the way to jet black, completely dull pores. An overriding pattern of extremely fine lines cuts across the more open areas.

The new flat bonded texture Rochester will be available in Gütersloh, Arnsberg and Leutkirch.